Bhakti

July 21, 2018 at 9:15 PMJul (Friends, Music, Musings, Slice Of Life, Theater)

A splendid moment occurred on 17 Feb 2018 at the Dhwanyaloka, in the campus of MGM College, Udupi.

Occasion: Book launch of Lakshmeedha Tolpady’s ‘bhaktiya nepadalli’ and ‘bhakti kampita’, a collection of essays by AK Ramanujan on Bhakti, translated by Dr. Mahabaleshwar Rao, to be followed by lectures and discussions.

The event was inaugurated by Yakshagana artist Bannanje Sanjeeva Suvarna through a short performance of Yakshagana, along with a student of his. For the inaugural performance Suvarna Sir had selected the episode of Krishna visiting Vidhura, to be in tune with the theme of Bhakti, which was flowing across both the books to be released.

Krishna has arrived at Vidhura’s place and the latter is overwhelmed with joy, to the point of tears and silence! Struggling to express his affection for the Lord in words, Vidhura starts to sing and dance. At this point of the performance Suvarna Sir went on his knees to perform ‘manDi’, a popular step in Yakshagana where the artist goes on his knees and swirls as he goes around the stage/ performing space, forming circles. Dhwanyaloka is designed to be a lecture hall not performance hall. So, the Krishna performer standing erect in the center of the performance space, in a typical Krishna pose, became an obstacle in the orbit of Suvarna Sir, while performing ‘manDi’. Vidhura/ Suvarna Sir at this point, very casually and unhesitatingly gave a gentle push to Krishna, brushing him aside! Krishna softly moved to the side and made way for the swirling performance by Vidhura.

It was an electrifying moment for me!

Lakshmeesha Tolpady during his speech later remembered the moment and said, “The devotee asks for space and the Lord makes space for him. Else there will be no space for the Lord.” It was a thrilling way of looking at it. But that moment appeared a bit different to me, or rather I saw it a bit differently.

It is the God himself/herself who, in his/ her stagnancy, becomes an obstacle to Bhakti. And when Bhakti is in full force it gives movement to the static God and brings him/ her to life and brings him/ her alive. Also, Bhakti doesn’t tolerate the God himself/ herself, if s/he becomes an obstacle in the path of Bhakti. In the end the one who occupies the center stage is not the Lord but Bhakti and through Bhakti, the devotee.

The event was presided over by K.P. Rao, who in his presidential address remembered the short invocation performance by Suvarana Sir before the Vidhura-Krishna performance. In the invocation performance Suvarna Sir invoked Lord Ganesha, where he was describing Lord Ganesha through gestures and also performing the worshiping of Lord Ganesha. Remembering this KP Rao said, “Did you see how Suvarna was becoming the worshiper and also the worshiped, the devotee and also the Lord himself?” He was pointing not at the one man performance where the same performer plays different roles. It was a comment on Bhakti!

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