Is Hari Dead?

August 31, 2018 at 9:15 PMAug (Cinema, Friends, Musings, Slice Of Life)

One of the often asked question after the screening of Aanya Kasaravalli’s debut film Harikatha Prasanga (Chronicles of Hari) has been: “Does Hari die in the end? Is Hari dead?”

Being associated closely with the film, not just in the capacity of the associate director, but also as a friend of Ananya, I have had several discussion, at different stages of the film, about the film and the character Hari. One of the issues we did discuss was obviously as to whether Hari dies or not in the end. While Ananya, from the beginning, felt that Hari isnt dead, I believed the opposite.

The same discussion took place couple of times, between some artist or some technician and me during the shoot and every time I answered, “According to me he dies, but Ananya believes he isnt dead.” While some believed that Hari shouldnt die because that would be dark and defeating, some did agree with me that he is dead. But I am not sure why they, like me, felt that Hari is dead.

(spoilers ahead)

Chronicles of Hari, as I see, is a film on the idea of normalcy, managed by morality and legality, which orchestrates certain standardization that marks things, humans, ideas etc as acceptable or unacceptable. Hari, as I understand, becomes problematic to these categories and moves, continuously, from difficulty to impossibility of being standardized and becoming acceptable to and in the standardized world.

I see Hari’s character being unfolded or revealed in different names as the different ways in which they- people in the society- want to see him. To ‘see’ means how they want to see him be. But Hari every time casts off the name and thorugh his being and continual becoming breaks the expectation and standardization in the name of morality, legality and also the idea of normalcy. His being and continual becoming is what exposes the shallowness of the society and its idea of normalcy. It also upholds the right to dignity and right to life of humans of all colours and all shades and thus celebrates the human rainbow.

If Hari is so powerful who punctures the idea of normalcy continuously and repeatedly, how can I come to believe that Hari dies in the end?

Man, as we all know, is born free but everywhere is in chains. These chains are social, economical, aesthetic etc. which are all designed for moulding humans into conventions. The ones who are in battle against the society are the ones who refuse to become conventions and break the mould repeatedly. Society through its power and force always longs to chain the human spirit which is born free. Society accepting such individuals who break those mould would mean surrendering to convention, conforming and rejection of freedom. Success of a rebelling artist in a world which s/he is rebelling against becomes his/her greatest failure for it would mean some compromise unless the world itself has undergone a change of heart.

When freedom is not permitted in life, freedom is chosen in death. Hari announces his freedom, at the cost of life. Death becomes the expression of freedom, though not liberation. Death is not acceptance of failure by Hari but the failure of the world in accepting Hari. So even in his death of transforming from soul to the soulless he once again underlines the shortcoming of the world, its norms and its conventions. He rejects it because its heart hasnt changed yet. But only after fighting a brave but unequal battle.

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