Liberation from the Past
The eldest brother asks the youngest brother to take him to a therapist. The middle one is lying in a secluded place with the lady of his love, holding her hands. The two threads of narrative are inter-cut. The perpetually fighting brothers, for the first time in the film, begin to speak of the long shadow of past that is cast on the present and causing friction between the two; one to the therapist and the other to the girl he is in love with. The stories unfold & both make way for the frozen tears to flow down their cheek. Both feel relieved with the unburdening of their hearts. The middle one holds his lover to his chest and the elder brother puts his hand around his youngest brother’s shoulder as they walk out of the clinic of the therapist.
To outgrow one’s own past one requires help from outside in the form of therapy and solidarity in the absence of love. In love the healing happens from within.
Even over couple of weeks after I watched Kumbalangi Nights, I haven’t been able to get over this sequence.
Finally, in the film, it is love which liberates all (men in the film) from their past and strengthens the solidarity.
(Special thanks to Neha Desai)
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